The origins of country music can be found in the records of the southern players of Appalachia, made in the late 1910s. However, it was not until the early 20s that country music became a viable recorded genre. The country’s first commercial recording was made by Eco Robertson in 1922 on Victor Records. Vernon Dalhart had the first national national hit in 1924 with the “Crash of the old“ 97 ”. But most historians point to 1927, when Victor Records signed on to Jimmy Rogers and The Carter Family, as real country music appeared.
Jimmy Rogers, known as the “Father of country music,” was an instant national success. He is credited with the first millionth single “Blue Yodel # 1”, and his catalog of songs recorded between 1927 and 1933 became his first prominent voice in country music. Rogers died of complications of tuberculosis in 1933. He was inducted into the Music Hall of Fame in 1961.
First Country Music Family
The Carter family was the first known vocal group of country music. Composed of AP Carter, his wife, Sarah Dougherty Carter, and AP’s daughters-in-law, Maybelle Addington Carter, the group flourished in the late 20s after the release of their first collection of songs in 1927. The Variations The Carter Family continued to record and perform for decades. Two of their early hits: “Keep on the Sunny Side” and “Wildwood Flower” are still the country’s standards to this day.
Climbing Bob Wills and West Swing
Originating in Texas and advancing in the Midwest in the late 1920s, the western swings reached their peak in the early 40s. He combined the raised sounds of horn in the style of the Big Band with jazz, blues of New Orleans and Dixieland. The drums were first included by the western swing, and the eclectic music mix included saxophones, a piano, and a Hawaiian instrument called a steel guitar. Outstanding western swings included Bob Wills (“King of the Western Swing”), “Light Bark Rugs” and Milton Brown (“Father of the Western Swing”).
Bill Monroe and blue herbs
Dubbed by Father Bluegrass, Bill Monroe is credited with the first popularizing bluegrass, a form of old music of the mountain hills with its origins in Britain and West Africa. Bluegrass got its name from the band Monroe, Blue Grass Boys, which eventually included the future legends Lester Flatt (guitar) and Earl Scruggs (banjo). After six years, Flett and Scruggs came out alone in 1949 with great success.
Hollywood walks the country
The cowboy films of the 1930s and 40s contributed greatly to the development of country music. Stars like Roy Rogers (“The King of the Cowboys”) and Gene Outry have played a musical career in a very successful career. Most of the great music from this era was written specifically for films. As these films flourished at the box office, their soundtracks were pinned to vinyl, and the buying public absorbed them. The great cowboy stars of that era also included the wife of Rogers, Dale Evans, the Sons of the Pioneers and Spide the Cooley.
In 1942, Ernest Tabb’s recording “Walking on the floor over you” made him feel the night sensation, which launched its country’s brand, honk-tonka, into national fame. Hank Williams popularized the genre with its appearance in the late 40s, while Lefty Frizell rose almost to Elvis, as popular in the country’s music circles in the 50s. Unlike all other styles of country music, honky-tonk never took a back seat in any new trend. Go to any institution today with live music in the country, and you are bound to find a honk-tonk group on the bill.
In direct contrast to the honky-tonk music, the Nashville Sound movement of the 50s and 60s polished the rougher edges of the country, mixing jazz jazz and a terrific story. Lush orchestrations supported the smooth singing of stars such as Eddie Arnold, Jim Reeves and Jim Ed Brown.
Developed in the mid-1950s, Bakersfield Sound originated at Honk-Tonk bars in Bakersfield and California. Gittel, than the polished and high-performance music from Nashville, Bakersfield’s country relied on many aspects of rock and roll and rockabilly, mostly loud loudspeakers, usually dual TV channels played through Fender amplifiers and loud drums. The biggest stars of Bakersfield on this day were Buck Owens (“Baron Bakersfield”), Merle Haggard and Webb Pierce.
Sensing the “sales” of most artists from the country in Nashville, many frustrated and independent artists decided in the mid-1970s that they would no longer follow the rules for creating Music City. Ne’er-do-wells, such as Willy Nelson, his good friend and frequent co-author Waylon Jennings, Merle Haggard, David Allan Co and many other “criminals”, burned their leisure suits, cut out their hair and sang whatever they chose. These Outlaws gave country music a timely kick in the trousers that he desperately needed.
In 1979, John Travolta, Urban Cowboy, popularized the movement in the country, which largely focused on comfortable listening to the crossover. Artists such as Johnny Lee, Dolly Parton and Mickey Gilly scored major hits in both the country and pop charts, while the “criminals” of the mid-70s became popular in music. History has proven that most of the music from this era, which some people call the era of the country’s disco, was rather disposable. However, during this dark period, many well-known artists appeared to create a remarkable career, including Alabama, George Strait, Reba McAntyre, and Steve Warner.
The list of superstars that debuted in 1989 reads like a future class of country music induction: Garth Brooks, Clint Black, Alan Jackson, Travis Tritt and Dwight Yoak all scored their first hits in the country in 1989. They radically changed the direction of country music, infusing young vitality and the rock and roll mentality into a genre that quickly became obsolete and predictable. The amazing class of ’89 overcame the gap between country music of the 20th and 21st century.